”Party bosses have been categorically told that a huge chunk of rural and semi-urban population has only “basic mobile handsets used only for answering and receiving calls.The report from UP also indicated that the “dalit voter, who was moving towards the BJP after the surgical strikes, has now returned to Mayawati’s fold after the demonetisation move. Mr Yadav’s “masterstroke”, which rattled the BJP, came following the BSP’s aggressive stand on the issue.New Delhi: The BJP’s popularity in Uttar Pradesh, which had soared after the Army’s anti-terror surgical strikes in PoK in September, has plummeted following the Centre’s much-touted demonetisation move announced last month, says feedback from the ground received by the party.BJP workers in UP, who were asked by the party to provide drinking water, tea and snacks to people and assist senior citizens lining up in front of banks and ATMs, are “reluctant” to do the job following “anger among the masses,” an internal report received by the party over the past weeks revealed.Hardships being faced by people of the state owing to a crippling cash crunch have hit the party hard, the feedback says.

The feedbacks made it clear that people in semi-urban and rural belts were “not being able to get a grasp on it. UP functionaries are also “against” Prime Minister Narendra Modi’s and the party high command’s diktat to make this historic move as one of its poll planks at this juncture.By announcing compensation for “demonetisation victims,” UP chief minister Akhilesh Yadav has also climbed up the ladder.” There’s another section which “does not even have mobile phones. To make matters worse, the trading community which had been the core vote bank of the BJP was shifting rapidly towards the BSP, sources said.” Farmers were also turning rapidly against the BJP as the demonetisation move has had an adverse impact in the ongoing sowing season.Complaints were also pouring in to the BJP headquarters in Delhi that the move to go cashless by using technology has also fallen flat.Taking advantage of the situation and seething rage among the people, Ms Mayawati has dispatched her cadres to western UP, dominated by Jats and Gujjar (mainly the farming community) to highlight the cash crisis.

The RSS top brass which met in Delhi last week has also conveyed to the BJP high command that the “lack of homework and preparedness” in executing the demonetisation scheme “has not gone down well China Copper Pipe Factory among the people across the country”.”While the reports and feedbacks continue to give the party leaders sleepless nights, the BSP led by Ms Mayawati has surged ahead in the race.Akhilesh Yadav-led SP, which was down and out following a raging family feud, has also got a fresh lease of life after the BJP-led NDA decided to ban Rs 1,000 and Rs 500 notes.While BJP workers are apparently groping in the dark with the public sentiment turning against them, BSP activists have fanned out across the state to talk about the “failure” of the scheme.. The saffron high command is now looking for strategies to cope with the situation as the results of forthcoming UP polls could be viewed as a “referendum” to the Centre’s demonetisation scheme

”Going forward, he wishes to create more public art in a bid to converse with the masses. The difference is just in the perspective. He admits, “I miss the dialogue that began after my AIIMS project. But calling designer Vibhor Sogani just an artist will be an understatement.” Stone remains another favourite medium for Vibhor, because of is versatility.Lighting expert and product designer vibhor sogani talks about the inspiration behind his work, his style and his journey as an artistHe is China Silicone Tube Series the man behind Delhi’s first site-specific public art, Sprouts, the 40-foot high and 100-foot wide creation at the AIIMS flyover. He says, “The National Institute of Design played an important role. With experience, you realise that there is a seamless blend between the two. Today, he is happy to be called one. I also play with texture and reflection that stainless steel provides.”His style is experimental and language transformative. Over the years, Vibhor has participated in numerous exhibitions, but was always a little apprehensive about being addressed as an artist. Thus my previous works were more focused on designing sensibilities.

I hope I could do some more projects like this across the country. He says, “Initially my technical knowledge overpowered the artist in me. Vibhor credits his technical knowledge to his alma mater — the National Institute of Design, Ahmedabad. His work is largely influenced by nature and its resources — for instance, Infinity has 7.000 crystals coming together to form interstellar formations of the dark sky, Beehive features golden bees perched on a steel hive and Chroma consists of chrome spheres suspending from the ceiling.”. He recalls, “My father was a geophysicist and I have spent most of my growing years in camps. Today, most of my works are stand-alone artworks, but when light is added, they are elevated to the next level. He says, “In all my light installations, I make sure that the source of light is indirect, which also adds the mystery element. But he admits that of all the materials, steel remains his favourite because of its ability to reflect light. There were numerous opinions from every quarter of life. I always ensure that all my designs are simplistic in nature but at the same time, the user should wonder and analyse its functionality.

The minute I realised that, there was no mental pressure to create something but to enjoy my creations. But I love the fact that it has naturally mixed to become one of the significant elements to represent the developed, urban Delhi. I guess that played an important role in my understanding of how objects change form when exposed to light. I am a hardcore product designer; all my works follow a basic principle of ‘form follows function’. He was inspired by Frank Lloyd Wright’s famous Fallingwater building in Pennsylvania for his installation, Cascade Lights.The artist uses mediums like steel, brass, wood, aluminum and copper for his work. Known as one of the leading lighting experts of the country, his works now adorn the interiors of Grand Hyatt, Radisson, Shangri-La, Park Hotel, Taj, Clarion Hotel and Uppal’s Orchid among others.”Vibhor’s introduction to lighting took place in his childhood during his camp nights with his family. So, my earlier memories are of time spent with family around a campfire